1 00:00:21,740 --> 00:00:23,630 breathe 2 00:00:23,630 --> 00:00:23,640 breathe 3 00:00:23,640 --> 00:00:25,370 breathe description and then I gotta turn it 4 00:00:25,370 --> 00:00:25,380 description and then I gotta turn it 5 00:00:25,380 --> 00:00:29,160 description and then I gotta turn it over to David um 6 00:00:29,160 --> 00:00:29,170 7 00:00:29,170 --> 00:00:31,140 what 8 00:00:31,140 --> 00:00:31,150 what 9 00:00:31,150 --> 00:00:33,710 what we're proposing to do today is to 10 00:00:33,710 --> 00:00:33,720 we're proposing to do today is to 11 00:00:33,720 --> 00:00:37,260 we're proposing to do today is to familiarize you with the equipment we're 12 00:00:37,260 --> 00:00:37,270 familiarize you with the equipment we're 13 00:00:37,270 --> 00:00:39,500 familiarize you with the equipment we're not planning to take any pictures today 14 00:00:39,500 --> 00:00:39,510 not planning to take any pictures today 15 00:00:39,510 --> 00:00:44,430 not planning to take any pictures today probably do that at the next section 16 00:00:44,430 --> 00:00:44,440 17 00:00:44,440 --> 00:00:49,680 first down laughter then that 18 00:00:49,680 --> 00:00:49,690 19 00:00:49,690 --> 00:00:53,940 here and 20 00:00:53,940 --> 00:00:53,950 21 00:00:53,950 --> 00:00:55,950 oh it into the payload Bay which is 22 00:00:55,950 --> 00:00:55,960 oh it into the payload Bay which is 23 00:00:55,960 --> 00:00:57,030 oh it into the payload Bay which is maybe a better way to get the 24 00:00:57,030 --> 00:00:57,040 maybe a better way to get the 25 00:00:57,040 --> 00:00:59,340 maybe a better way to get the perspective what a lens cover is 26 00:00:59,340 --> 00:00:59,350 perspective what a lens cover is 27 00:00:59,350 --> 00:01:01,800 perspective what a lens cover is relative to them they although you're 28 00:01:01,800 --> 00:01:01,810 relative to them they although you're 29 00:01:01,810 --> 00:01:03,570 relative to them they although you're not going to be shooting the day so much 30 00:01:03,570 --> 00:01:03,580 not going to be shooting the day so much 31 00:01:03,580 --> 00:01:05,580 not going to be shooting the day so much in distance it's a bit better than just 32 00:01:05,580 --> 00:01:05,590 in distance it's a bit better than just 33 00:01:05,590 --> 00:01:08,160 in distance it's a bit better than just working inside soap is that Eau Claire 34 00:01:08,160 --> 00:01:08,170 working inside soap is that Eau Claire 35 00:01:08,170 --> 00:01:11,910 working inside soap is that Eau Claire is important so this is this is 36 00:01:11,910 --> 00:01:11,920 is important so this is this is 37 00:01:11,920 --> 00:01:13,740 is important so this is this is essentially the flight hardware with the 38 00:01:13,740 --> 00:01:13,750 essentially the flight hardware with the 39 00:01:13,750 --> 00:01:15,160 essentially the flight hardware with the exception 40 00:01:15,160 --> 00:01:15,170 exception 41 00:01:15,170 --> 00:01:18,980 exception your magazines will be 42 00:01:18,980 --> 00:01:18,990 43 00:01:18,990 --> 00:01:27,160 you see on the table years 44 00:01:27,160 --> 00:01:27,170 45 00:01:27,170 --> 00:01:29,600 there's various ways of mounting this 46 00:01:29,600 --> 00:01:29,610 there's various ways of mounting this 47 00:01:29,610 --> 00:01:34,070 there's various ways of mounting this camera and in 1g and they don't really 48 00:01:34,070 --> 00:01:34,080 camera and in 1g and they don't really 49 00:01:34,080 --> 00:01:36,080 camera and in 1g and they don't really affect you very much except that we do 50 00:01:36,080 --> 00:01:36,090 affect you very much except that we do 51 00:01:36,090 --> 00:01:38,600 affect you very much except that we do use the same two holes here when we put 52 00:01:38,600 --> 00:01:38,610 use the same two holes here when we put 53 00:01:38,610 --> 00:01:40,790 use the same two holes here when we put the handles on on the bottom and a 54 00:01:40,790 --> 00:01:40,800 the handles on on the bottom and a 55 00:01:40,800 --> 00:01:45,320 the handles on on the bottom and a camera into that a little while other 56 00:01:45,320 --> 00:01:45,330 camera into that a little while other 57 00:01:45,330 --> 00:01:47,900 camera into that a little while other than that there will be some velcro down 58 00:01:47,900 --> 00:01:47,910 than that there will be some velcro down 59 00:01:47,910 --> 00:01:51,020 than that there will be some velcro down here to to actually take the camera onto 60 00:01:51,020 --> 00:01:51,030 here to to actually take the camera onto 61 00:01:51,030 --> 00:01:56,420 here to to actually take the camera onto the locker wall at the floor to work on 62 00:01:56,420 --> 00:01:56,430 the locker wall at the floor to work on 63 00:01:56,430 --> 00:01:59,110 the locker wall at the floor to work on but that's on the camera doesn't 64 00:01:59,110 --> 00:01:59,120 but that's on the camera doesn't 65 00:01:59,120 --> 00:02:05,210 but that's on the camera doesn't he was very much up there 66 00:02:05,210 --> 00:02:05,220 67 00:02:05,220 --> 00:02:08,139 so 68 00:02:08,139 --> 00:02:08,149 69 00:02:08,149 --> 00:02:12,440 two 70 00:02:12,440 --> 00:02:12,450 71 00:02:12,450 --> 00:02:16,820 hear that you're bouncing if you all 72 00:02:16,820 --> 00:02:16,830 hear that you're bouncing if you all 73 00:02:16,830 --> 00:02:18,259 hear that you're bouncing if you all have to look at the image which is 74 00:02:18,259 --> 00:02:18,269 have to look at the image which is 75 00:02:18,269 --> 00:02:22,110 have to look at the image which is formed here in this grand lass 76 00:02:22,110 --> 00:02:22,120 77 00:02:22,120 --> 00:02:25,600 there's a checklist here which 78 00:02:25,600 --> 00:02:25,610 there's a checklist here which 79 00:02:25,610 --> 00:02:27,680 there's a checklist here which 21 points on 80 00:02:27,680 --> 00:02:27,690 21 points on 81 00:02:27,690 --> 00:02:29,440 21 points on and 82 00:02:29,440 --> 00:02:29,450 and 83 00:02:29,450 --> 00:02:33,150 and and it refers to the letters 84 00:02:33,150 --> 00:02:33,160 and it refers to the letters 85 00:02:33,160 --> 00:02:39,130 and it refers to the letters which represent positions in the 86 00:02:39,130 --> 00:02:39,140 87 00:02:39,140 --> 00:02:41,260 man if you follow the checklist it seems 88 00:02:41,260 --> 00:02:41,270 man if you follow the checklist it seems 89 00:02:41,270 --> 00:02:47,350 man if you follow the checklist it seems like it's worked pretty well even 90 00:02:47,350 --> 00:02:47,360 91 00:02:47,360 --> 00:02:49,860 last time we 92 00:02:49,860 --> 00:02:49,870 last time we 93 00:02:49,870 --> 00:03:01,150 last time we Phil anybody was 94 00:03:01,150 --> 00:03:01,160 95 00:03:01,160 --> 00:03:05,110 straight up 96 00:03:05,110 --> 00:03:05,120 97 00:03:05,120 --> 00:03:08,440 magazines are we launched Logan 98 00:03:08,440 --> 00:03:08,450 magazines are we launched Logan 99 00:03:08,450 --> 00:03:11,860 magazines are we launched Logan and a particular emotion that will be in 100 00:03:11,860 --> 00:03:11,870 and a particular emotion that will be in 101 00:03:11,870 --> 00:03:14,380 and a particular emotion that will be in that load will be determined i guess by 102 00:03:14,380 --> 00:03:14,390 that load will be determined i guess by 103 00:03:14,390 --> 00:03:17,170 that load will be determined i guess by the cap depending on what we get to 104 00:03:17,170 --> 00:03:17,180 the cap depending on what we get to 105 00:03:17,180 --> 00:03:20,190 the cap depending on what we get to Cepeda needed 106 00:03:20,190 --> 00:03:20,200 107 00:03:20,200 --> 00:03:23,620 and that cadet emotion will be defined 108 00:03:23,620 --> 00:03:23,630 and that cadet emotion will be defined 109 00:03:23,630 --> 00:03:27,670 and that cadet emotion will be defined by a piece of tape like this one which 110 00:03:27,670 --> 00:03:27,680 by a piece of tape like this one which 111 00:03:27,680 --> 00:03:28,160 by a piece of tape like this one which would be 112 00:03:28,160 --> 00:03:28,170 would be 113 00:03:28,170 --> 00:03:31,770 would be take the cross the latch of the magazine 114 00:03:31,770 --> 00:03:31,780 take the cross the latch of the magazine 115 00:03:31,780 --> 00:03:34,350 take the cross the latch of the magazine that tape will follow the roll of film 116 00:03:34,350 --> 00:03:34,360 that tape will follow the roll of film 117 00:03:34,360 --> 00:03:36,230 that tape will follow the roll of film around it and while 118 00:03:36,230 --> 00:03:36,240 around it and while 119 00:03:36,240 --> 00:03:40,390 around it and while a little latch back here dispatches 120 00:03:40,390 --> 00:03:40,400 a little latch back here dispatches 121 00:03:40,400 --> 00:03:43,580 a little latch back here dispatches don't have on the ground because but 122 00:03:43,580 --> 00:03:43,590 don't have on the ground because but 123 00:03:43,590 --> 00:03:44,630 don't have on the ground because but it's there to keep the magazine from 124 00:03:44,630 --> 00:03:44,640 it's there to keep the magazine from 125 00:03:44,640 --> 00:03:47,720 it's there to keep the magazine from floating off during them during the 126 00:03:47,720 --> 00:03:47,730 floating off during them during the 127 00:03:47,730 --> 00:03:50,810 floating off during them during the loading procedure engages a couple of 128 00:03:50,810 --> 00:03:50,820 loading procedure engages a couple of 129 00:03:50,820 --> 00:03:57,930 loading procedure engages a couple of little details here on the bar 130 00:03:57,930 --> 00:03:57,940 131 00:03:57,940 --> 00:04:00,470 so then you open up the camera 132 00:04:00,470 --> 00:04:00,480 so then you open up the camera 133 00:04:00,480 --> 00:04:04,110 so then you open up the camera everything you got it grab is is marked 134 00:04:04,110 --> 00:04:04,120 everything you got it grab is is marked 135 00:04:04,120 --> 00:04:05,430 everything you got it grab is is marked in red 136 00:04:05,430 --> 00:04:05,440 in red 137 00:04:05,440 --> 00:04:12,240 in red am 138 00:04:12,240 --> 00:04:12,250 139 00:04:12,250 --> 00:04:13,800 they trapped a film against the 140 00:04:13,800 --> 00:04:13,810 they trapped a film against the 141 00:04:13,810 --> 00:04:26,760 they trapped a film against the sprockets 142 00:04:26,760 --> 00:04:26,770 143 00:04:26,770 --> 00:04:28,499 there is a registration for the symbol 144 00:04:28,499 --> 00:04:28,509 there is a registration for the symbol 145 00:04:28,509 --> 00:04:32,100 there is a registration for the symbol here and we can get access to this guy 146 00:04:32,100 --> 00:04:32,110 here and we can get access to this guy 147 00:04:32,110 --> 00:04:35,040 here and we can get access to this guy but I lifting up this top half of it 148 00:04:35,040 --> 00:04:35,050 but I lifting up this top half of it 149 00:04:35,050 --> 00:04:39,800 but I lifting up this top half of it swinging it out the way 150 00:04:39,800 --> 00:04:39,810 151 00:04:39,810 --> 00:04:47,470 go straight across the back 152 00:04:47,470 --> 00:04:47,480 153 00:04:47,480 --> 00:04:51,590 and then you can check your routing 154 00:04:51,590 --> 00:04:51,600 and then you can check your routing 155 00:04:51,600 --> 00:04:53,540 and then you can check your routing once you feel like you got it on the 156 00:04:53,540 --> 00:04:53,550 once you feel like you got it on the 157 00:04:53,550 --> 00:04:55,760 once you feel like you got it on the right side of the rollers that's when 158 00:04:55,760 --> 00:04:55,770 right side of the rollers that's when 159 00:04:55,770 --> 00:05:01,750 right side of the rollers that's when you 160 00:05:01,750 --> 00:05:01,760 161 00:05:01,760 --> 00:05:06,570 grappling 162 00:05:06,570 --> 00:05:06,580 163 00:05:06,580 --> 00:05:15,130 follow me 164 00:05:15,130 --> 00:05:15,140 165 00:05:15,140 --> 00:05:18,140 next thing you need to do is get the 166 00:05:18,140 --> 00:05:18,150 next thing you need to do is get the 167 00:05:18,150 --> 00:05:21,500 next thing you need to do is get the film down into the into the game here 168 00:05:21,500 --> 00:05:21,510 film down into the into the game here 169 00:05:21,510 --> 00:05:25,999 film down into the into the game here that's riding riding properly 170 00:05:25,999 --> 00:05:26,009 that's riding riding properly 171 00:05:26,009 --> 00:05:29,119 that's riding riding properly the aperture played skating along a slot 172 00:05:29,119 --> 00:05:29,129 the aperture played skating along a slot 173 00:05:29,129 --> 00:05:31,129 the aperture played skating along a slot which is the counterpart of what's going 174 00:05:31,129 --> 00:05:31,139 which is the counterpart of what's going 175 00:05:31,139 --> 00:05:32,999 which is the counterpart of what's going to trap it up here 176 00:05:32,999 --> 00:05:33,009 to trap it up here 177 00:05:33,009 --> 00:05:44,719 to trap it up here I'd slot 178 00:05:44,719 --> 00:05:44,729 179 00:05:44,729 --> 00:05:46,820 watch the tricky part right here I'm 180 00:05:46,820 --> 00:05:46,830 watch the tricky part right here I'm 181 00:05:46,830 --> 00:05:49,429 watch the tricky part right here I'm going to a spot so what happens is you 182 00:05:49,429 --> 00:05:49,439 going to a spot so what happens is you 183 00:05:49,439 --> 00:05:52,689 going to a spot so what happens is you can get hung up when you're not with 184 00:05:52,689 --> 00:05:52,699 can get hung up when you're not with 185 00:05:52,699 --> 00:06:04,020 can get hung up when you're not with when you're not 186 00:06:04,020 --> 00:06:04,030 187 00:06:04,030 --> 00:06:06,010 clothes are anything up would you prove 188 00:06:06,010 --> 00:06:06,020 clothes are anything up would you prove 189 00:06:06,020 --> 00:06:16,239 clothes are anything up would you prove that 190 00:06:16,239 --> 00:06:16,249 191 00:06:16,249 --> 00:06:22,900 got it in there like Olympia 192 00:06:22,900 --> 00:06:22,910 193 00:06:22,910 --> 00:06:25,170 you can put in them 194 00:06:25,170 --> 00:06:25,180 you can put in them 195 00:06:25,180 --> 00:06:31,670 you can put in them pressure 196 00:06:31,670 --> 00:06:31,680 197 00:06:31,680 --> 00:06:33,410 Oh 198 00:06:33,410 --> 00:06:33,420 Oh 199 00:06:33,420 --> 00:06:35,170 Oh for it before you take in tape off 200 00:06:35,170 --> 00:06:35,180 for it before you take in tape off 201 00:06:35,180 --> 00:06:37,910 for it before you take in tape off Magister 202 00:06:37,910 --> 00:06:37,920 Magister 203 00:06:37,920 --> 00:06:44,870 Magister know where their stuff is impossible 204 00:06:44,870 --> 00:06:44,880 205 00:06:44,880 --> 00:06:47,450 and so it comes off data White House is 206 00:06:47,450 --> 00:06:47,460 and so it comes off data White House is 207 00:06:47,460 --> 00:06:58,679 and so it comes off data White House is clockwise 208 00:06:58,679 --> 00:06:58,689 209 00:06:58,689 --> 00:07:15,850 right now 210 00:07:15,850 --> 00:07:15,860 211 00:07:15,860 --> 00:08:30,010 age 212 00:08:30,010 --> 00:08:30,020 213 00:08:30,020 --> 00:08:32,680 how this is going to this 214 00:08:32,680 --> 00:08:32,690 how this is going to this 215 00:08:32,690 --> 00:08:35,220 how this is going to this sit down 216 00:08:35,220 --> 00:08:35,230 217 00:08:35,230 --> 00:08:37,200 it doesn't doesn't engaged it which is 218 00:08:37,200 --> 00:08:37,210 it doesn't doesn't engaged it which is 219 00:08:37,210 --> 00:08:39,870 it doesn't doesn't engaged it which is way down stair to hold it down and turn 220 00:08:39,870 --> 00:08:39,880 way down stair to hold it down and turn 221 00:08:39,880 --> 00:08:44,220 way down stair to hold it down and turn it on or what it's doing is it's pulling 222 00:08:44,220 --> 00:08:44,230 it on or what it's doing is it's pulling 223 00:08:44,230 --> 00:08:45,930 it on or what it's doing is it's pulling a whole movement over now what we're 224 00:08:45,930 --> 00:08:45,940 a whole movement over now what we're 225 00:08:45,940 --> 00:08:47,850 a whole movement over now what we're concerned about is the shutter so we're 226 00:08:47,850 --> 00:08:47,860 concerned about is the shutter so we're 227 00:08:47,860 --> 00:08:52,590 concerned about is the shutter so we're trying to get 228 00:08:52,590 --> 00:08:52,600 229 00:08:52,600 --> 00:08:55,079 we got your glasses bingham maintain 230 00:08:55,079 --> 00:08:55,089 we got your glasses bingham maintain 231 00:08:55,089 --> 00:09:16,569 we got your glasses bingham maintain better see the lights 232 00:09:16,569 --> 00:09:16,579 233 00:09:16,579 --> 00:09:18,319 then 234 00:09:18,319 --> 00:09:18,329 then 235 00:09:18,329 --> 00:09:46,509 then what 236 00:09:46,509 --> 00:09:46,519 237 00:09:46,519 --> 00:09:49,430 yeah spin tomorrow morning we're going 238 00:09:49,430 --> 00:09:49,440 yeah spin tomorrow morning we're going 239 00:09:49,440 --> 00:09:51,980 yeah spin tomorrow morning we're going to do the same thing in pebble in the 240 00:09:51,980 --> 00:09:51,990 to do the same thing in pebble in the 241 00:09:51,990 --> 00:09:57,920 to do the same thing in pebble in the full huge religion ff2 you going to do 242 00:09:57,920 --> 00:09:57,930 full huge religion ff2 you going to do 243 00:09:57,930 --> 00:09:59,660 full huge religion ff2 you going to do that essentially the same thing there 244 00:09:59,660 --> 00:09:59,670 that essentially the same thing there 245 00:09:59,670 --> 00:10:02,300 that essentially the same thing there will work with with the same things 246 00:10:02,300 --> 00:10:02,310 will work with with the same things 247 00:10:02,310 --> 00:10:03,920 will work with with the same things accepted with the life so you get used 248 00:10:03,920 --> 00:10:03,930 accepted with the life so you get used 249 00:10:03,930 --> 00:10:08,060 accepted with the life so you get used to working with the light so David first 250 00:10:08,060 --> 00:10:08,070 to working with the light so David first 251 00:10:08,070 --> 00:10:11,780 to working with the light so David first thing we want to do is fine just setting 252 00:10:11,780 --> 00:10:11,790 thing we want to do is fine just setting 253 00:10:11,790 --> 00:10:13,840 thing we want to do is fine just setting it up for your eye your eye relief and 254 00:10:13,840 --> 00:10:13,850 it up for your eye your eye relief and 255 00:10:13,850 --> 00:10:16,400 it up for your eye your eye relief and it folks it on the ground glass and then 256 00:10:16,400 --> 00:10:16,410 it folks it on the ground glass and then 257 00:10:16,410 --> 00:10:18,170 it folks it on the ground glass and then we'll start dealing with the brown glass 258 00:10:18,170 --> 00:10:18,180 we'll start dealing with the brown glass 259 00:10:18,180 --> 00:10:19,790 we'll start dealing with the brown glass and the markings on the ground glass and 260 00:10:19,790 --> 00:10:19,800 and the markings on the ground glass and 261 00:10:19,800 --> 00:10:21,710 and the markings on the ground glass and how they relate to I'm actually is and 262 00:10:21,710 --> 00:10:21,720 how they relate to I'm actually is and 263 00:10:21,720 --> 00:10:25,759 how they relate to I'm actually is and how they relate to harmonize do so would 264 00:10:25,759 --> 00:10:25,769 how they relate to harmonize do so would 265 00:10:25,769 --> 00:10:27,380 how they relate to harmonize do so would you would like to open the camera up and 266 00:10:27,380 --> 00:10:27,390 you would like to open the camera up and 267 00:10:27,390 --> 00:10:31,310 you would like to open the camera up and set up for your eye on on the ground 268 00:10:31,310 --> 00:10:31,320 set up for your eye on on the ground 269 00:10:31,320 --> 00:10:45,780 set up for your eye on on the ground glass 270 00:10:45,780 --> 00:10:45,790 271 00:10:45,790 --> 00:10:47,430 you want to do that before us as well 272 00:10:47,430 --> 00:10:47,440 you want to do that before us as well 273 00:10:47,440 --> 00:10:53,090 you want to do that before us as well sure 274 00:10:53,090 --> 00:10:53,100 275 00:10:53,100 --> 00:10:55,350 back to something is ready to do also 276 00:10:55,350 --> 00:10:55,360 back to something is ready to do also 277 00:10:55,360 --> 00:10:59,309 back to something is ready to do also with cameras often you'll find the 278 00:10:59,309 --> 00:10:59,319 with cameras often you'll find the 279 00:10:59,319 --> 00:11:02,160 with cameras often you'll find the camera at all closed up when you come to 280 00:11:02,160 --> 00:11:02,170 camera at all closed up when you come to 281 00:11:02,170 --> 00:11:05,460 camera at all closed up when you come to it close it left them open you should 282 00:11:05,460 --> 00:11:05,470 it close it left them open you should 283 00:11:05,470 --> 00:11:10,110 it close it left them open you should get a feel for how that button he wants 284 00:11:10,110 --> 00:11:10,120 get a feel for how that button he wants 285 00:11:10,120 --> 00:11:12,900 get a feel for how that button he wants to say open the camera as the shutter 286 00:11:12,900 --> 00:11:12,910 to say open the camera as the shutter 287 00:11:12,910 --> 00:11:15,449 to say open the camera as the shutter the camera is apt to stop it no stopping 288 00:11:15,449 --> 00:11:15,459 the camera is apt to stop it no stopping 289 00:11:15,459 --> 00:11:17,579 the camera is apt to stop it no stopping position for it says it's likely to be 290 00:11:17,579 --> 00:11:17,589 position for it says it's likely to be 291 00:11:17,589 --> 00:11:26,340 position for it says it's likely to be closed as open all right 292 00:11:26,340 --> 00:11:26,350 293 00:11:26,350 --> 00:11:33,250 okay the ground glass cake across across 294 00:11:33,250 --> 00:11:33,260 okay the ground glass cake across across 295 00:11:33,260 --> 00:11:34,990 okay the ground glass cake across across horizontally across the frame there are 296 00:11:34,990 --> 00:11:35,000 horizontally across the frame there are 297 00:11:35,000 --> 00:11:38,110 horizontally across the frame there are there are two dash lines one its parks 298 00:11:38,110 --> 00:11:38,120 there are two dash lines one its parks 299 00:11:38,120 --> 00:11:40,330 there are two dash lines one its parks downwards and comes up to the birth it 300 00:11:40,330 --> 00:11:40,340 downwards and comes up to the birth it 301 00:11:40,340 --> 00:11:41,560 downwards and comes up to the birth it starts at the third of the way up for 302 00:11:41,560 --> 00:11:41,570 starts at the third of the way up for 303 00:11:41,570 --> 00:11:43,210 starts at the third of the way up for the Arts down comes up again there's 304 00:11:43,210 --> 00:11:43,220 the Arts down comes up again there's 305 00:11:43,220 --> 00:11:44,470 the Arts down comes up again there's when it's sort of straight across at 306 00:11:44,470 --> 00:11:44,480 when it's sort of straight across at 307 00:11:44,480 --> 00:11:47,230 when it's sort of straight across at that position and those what those are 308 00:11:47,230 --> 00:11:47,240 that position and those what those are 309 00:11:47,240 --> 00:11:50,440 that position and those what those are therefore is to for you to understand 310 00:11:50,440 --> 00:11:50,450 therefore is to for you to understand 311 00:11:50,450 --> 00:11:52,750 therefore is to for you to understand where where the people are in the 312 00:11:52,750 --> 00:11:52,760 where where the people are in the 313 00:11:52,760 --> 00:11:54,250 where where the people are in the theater and how they're they're seeing 314 00:11:54,250 --> 00:11:54,260 theater and how they're they're seeing 315 00:11:54,260 --> 00:11:55,990 theater and how they're they're seeing the screen there they're essentially 316 00:11:55,990 --> 00:11:56,000 the screen there they're essentially 317 00:11:56,000 --> 00:11:57,520 the screen there they're essentially they were originally putting this kind 318 00:11:57,520 --> 00:11:57,530 they were originally putting this kind 319 00:11:57,530 --> 00:11:59,170 they were originally putting this kind of horizon lines that have been always 320 00:11:59,170 --> 00:11:59,180 of horizon lines that have been always 321 00:11:59,180 --> 00:12:01,780 of horizon lines that have been always uses horizon lines with it but they give 322 00:12:01,780 --> 00:12:01,790 uses horizon lines with it but they give 323 00:12:01,790 --> 00:12:04,840 uses horizon lines with it but they give you the relationship for for the 324 00:12:04,840 --> 00:12:04,850 you the relationship for for the 325 00:12:04,850 --> 00:12:07,870 you the relationship for for the audience's natural horizon in relation 326 00:12:07,870 --> 00:12:07,880 audience's natural horizon in relation 327 00:12:07,880 --> 00:12:10,150 audience's natural horizon in relation to the screen itself so that the 328 00:12:10,150 --> 00:12:10,160 to the screen itself so that the 329 00:12:10,160 --> 00:12:11,620 to the screen itself so that the straight one is for the rectilinear 330 00:12:11,620 --> 00:12:11,630 straight one is for the rectilinear 331 00:12:11,630 --> 00:12:13,900 straight one is for the rectilinear theaters to the imax theaters it's the 332 00:12:13,900 --> 00:12:13,910 theaters to the imax theaters it's the 333 00:12:13,910 --> 00:12:16,810 theaters to the imax theaters it's the crosses in that in that area are more or 334 00:12:16,810 --> 00:12:16,820 crosses in that in that area are more or 335 00:12:16,820 --> 00:12:18,660 crosses in that in that area are more or less directly in front of the audience 336 00:12:18,660 --> 00:12:18,670 less directly in front of the audience 337 00:12:18,670 --> 00:12:21,520 less directly in front of the audience there are in front of the majority of 338 00:12:21,520 --> 00:12:21,530 there are in front of the majority of 339 00:12:21,530 --> 00:12:23,890 there are in front of the majority of the audience and the same is true for 340 00:12:23,890 --> 00:12:23,900 the audience and the same is true for 341 00:12:23,900 --> 00:12:26,350 the audience and the same is true for the for the arcing line in the omni dome 342 00:12:26,350 --> 00:12:26,360 the for the arcing line in the omni dome 343 00:12:26,360 --> 00:12:29,680 the for the arcing line in the omni dome theaters it's much lower down because 344 00:12:29,680 --> 00:12:29,690 theaters it's much lower down because 345 00:12:29,690 --> 00:12:31,570 theaters it's much lower down because the dome ram of course extends right up 346 00:12:31,570 --> 00:12:31,580 the dome ram of course extends right up 347 00:12:31,580 --> 00:12:42,700 the dome ram of course extends right up over your head and behind it 348 00:12:42,700 --> 00:12:42,710 349 00:12:42,710 --> 00:12:45,500 she's 350 00:12:45,500 --> 00:12:45,510 she's 351 00:12:45,510 --> 00:12:48,150 she's shoot John and the way that you select 352 00:12:48,150 --> 00:12:48,160 shoot John and the way that you select 353 00:12:48,160 --> 00:12:50,540 shoot John and the way that you select punches once you've decided what the 354 00:12:50,540 --> 00:12:50,550 punches once you've decided what the 355 00:12:50,550 --> 00:12:52,829 punches once you've decided what the witch with the key element of the 356 00:12:52,829 --> 00:12:52,839 witch with the key element of the 357 00:12:52,839 --> 00:13:51,159 witch with the key element of the picture is if it's here there 358 00:13:51,159 --> 00:13:51,169 359 00:13:51,169 --> 00:13:54,529 again me by having different sources 360 00:13:54,529 --> 00:13:54,539 again me by having different sources 361 00:13:54,539 --> 00:13:57,289 again me by having different sources different you gotta go somebody's rim 362 00:13:57,289 --> 00:13:57,299 different you gotta go somebody's rim 363 00:13:57,299 --> 00:13:59,929 different you gotta go somebody's rim lighting around Hank and he got nice 364 00:13:59,929 --> 00:13:59,939 lighting around Hank and he got nice 365 00:13:59,939 --> 00:14:04,429 lighting around Hank and he got nice laid in Mike space and everybody got 366 00:14:04,429 --> 00:14:04,439 laid in Mike space and everybody got 367 00:14:04,439 --> 00:14:05,989 laid in Mike space and everybody got some light it actually when the shot 368 00:14:05,989 --> 00:14:05,999 some light it actually when the shot 369 00:14:05,999 --> 00:14:08,479 some light it actually when the shot hands would you down below which it was 370 00:14:08,479 --> 00:14:08,489 hands would you down below which it was 371 00:14:08,489 --> 00:14:11,059 hands would you down below which it was a really pretty see Judy she's nice as 372 00:14:11,059 --> 00:14:11,069 a really pretty see Judy she's nice as 373 00:14:11,069 --> 00:14:13,460 a really pretty see Judy she's nice as that too so he found a way to get 374 00:14:13,460 --> 00:14:13,470 that too so he found a way to get 375 00:14:13,470 --> 00:14:16,219 that too so he found a way to get everybody to get some light we just put 376 00:14:16,219 --> 00:14:16,229 everybody to get some light we just put 377 00:14:16,229 --> 00:14:42,550 everybody to get some light we just put a big favor 378 00:14:42,550 --> 00:14:42,560 379 00:14:42,560 --> 00:14:44,840 seemed like a long long question how 380 00:14:44,840 --> 00:14:44,850 seemed like a long long question how 381 00:14:44,850 --> 00:14:46,040 seemed like a long long question how much you want us to work it through on 382 00:14:46,040 --> 00:14:46,050 much you want us to work it through on 383 00:14:46,050 --> 00:14:50,900 much you want us to work it through on this about 150 years yeah k zone 8 183 384 00:14:50,900 --> 00:14:50,910 this about 150 years yeah k zone 8 183 385 00:14:50,910 --> 00:14:54,140 this about 150 years yeah k zone 8 183 on that when they run support okay are 386 00:14:54,140 --> 00:14:54,150 on that when they run support okay are 387 00:14:54,150 --> 00:14:57,050 on that when they run support okay are you done what I'd like you to do change 388 00:14:57,050 --> 00:14:57,060 you done what I'd like you to do change 389 00:14:57,060 --> 00:15:42,710 you done what I'd like you to do change the lighting 390 00:15:42,710 --> 00:15:42,720 391 00:15:42,720 --> 00:15:44,779 you